archive 2015 – jul / aug / sep
The exhibition Neutralidade (Neutrality), of the curatorial project CAC – Cinema, Art and Culture, presents works by Cláudia Lopes, David Gil, Luís Vicente, Patrícia Geraldes and Reis Valdrez.
The material and immaterial are present in this works of contemporary art produced by the artists, about portuguese cultural heritage.
CAC – Cinema, Art and Culture has as mission artistic promotion, reflection about art and contemporary art critic through exhibitions, performances, cinema sessions and open conversations with curators and art critics, from July to September, in Porto and Guimarães.
Cinema session associated to the exhibition ÁguaAr, by Suzana Queiroga.
Curated by: Paulo Aureliano da Mata e Suzana Queiroga
First Part, 3pm
“nuvem 9” (2011), by Maria Mattos
“Fotossíntese” (2014), by Miguel Refresco
“Histórias de Rio” (2015), by Maíra Vaz Valente
“M A D R E D ‘ A G U A” (2013), by Renato Vallone
“Seascape” (2015), by Ana Hupe
“pír” (2013), by Cecilia Cavalieri
“Mar é Todo Pedaço Sensível de Areia” (2012), by Benedito Ferreira
“O Devir” (2011), by Eduardo Masini
“a menina e o cálice” (2014), by Maria Mattos
“m a r i a m a r i a” (2010), by Renato Vallone
“Desenho.modo.águas” (2012-2014), by Nena Balthar
“Memória do Afeto – São Paulo” (2000), by Beth Moysés
“Não são favas, são feijocas” (2013), by Tânia Dinis
“Distensões” (2015), by Zalinda Cartaxo
“Sobre Pontes e Travessias” (2011), by Jacqueline Siano
Second Part, 5:30pm
“Diário de Sintra” (2008), by Paula Gaitán
ÁguaAr, by Suzana Queiroga
Curators: Paulo Aureliano da Mata and Tales Frey
From the geographical boundaries that incorporate the presence of water and air, Suzana Queiroga is faced with both elements from the observation of different mappings, witnessed through the flights/performances in her balloon Velofluxo or through other ways to find the flow, the time and the continuity present in landscape as something in constant motion.
Above, we see complex overlapping layers that interconnect with each other. We see water systems such as rivers, their tributaries, the oceans and seas, some currents and tides, systems and wind maps, flight maps, air currents, clouds and even the graphic codes of cities and landscapes in general. Likewise, we can contemplate the relationship of cartography with own body with the blood system and other circulatory systems, as well as with our bodies in certain localities, living and flowing in different landscapes.
With the exhibition ÁguaAr of the artist Suzana Queiroga, the landscape renounces only its placement as a geographical concept to become a complex and inexhaustible allegory of human existence, relating the memory and the materialization of the memory in variables artistic supports that refer to lived and imagined environments.
Project financed by: